WMM BLOG

Why You Should Submit To The WMM International Film Festival

film festival Jan 31, 2022

The WMM International Film Festival is in its fourth year! Known for celebrating the Do-It-Yourself filmmaking aesthetic, WMMIntl serves to highlight DIY filmmakers across the spectrum of the industry in every genre. From horror to drama, comedy to documentary, experimental and underground to video art, we salute filmmakers who embrace the true indie spirit by making quality art on their own terms. The festival provides networking and social events, industry panels, a showcase of shorts, features, and series from around the world, live multi-media performances, and an awards ceremony.

By bringing filmmakers of all ilks together, WMMIntl strives to bolster artists and revitalize the industry that content creators and artists want to be a part of. Yet, with so many film festivals to choose from and the cost of submissions, it can be hard to decide where to invest. We asked our festival showrunners to give us some insight into their process and show us how...

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WMM Make Your Feature Competition Winners Announced!

competition industry Nov 17, 2021

We Make Movies is putting its money where its mouth is and officially greenlighting three of YOUR feature films in 2022! Our Make Your Feature competition invited anyone with a kernel of an idea or a full screenplay to pitch their project to a panel of investors and the WMM community for the opportunity to land a $25,000 investment, tens of thousands of dollars worth of resources and assistance to ACTUALLY shoot their movie. Submissions opened on May 5 2021. We received 127 submissions, narrowed it down to 36 semi-finalists, then we had 14 filmmakers pitch our judges one last time on October 20th, 2021.

… now, DRUMROLL PLEASE! After an inspiring night of final pitches (watch the winning presentations below) and several weeks of impassioned deliberation, our panel of judges, including investors Sam Mestman, Rob Ness, and Cate Caplin have selected the feature films they will be investing in and advancing to pre-production. The winning filmmakers and films of our inaugural Make...

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WMM Presence Strong At 2021 FCP Global Summit

We Make Movies is the studio system for independent filmmakers. We cater to artists of all levels and serve projects in every stage of the process  from inception to final deliverables. Tech giants from NAB (National Association of Broadcasters) to IBC (International Broadcast Conference) have taken notice of our collective team's proficiency and expertise, and this week WMM is a force to be reckoned with at the FCP Global Summit.

The FREE Final Cut Pro event is being held virtually from November 8 - 13, and is suited for content creators of all levels. Explore elevating your producing skills through "Blueprint For A Micro-Budget Future" with our CEO Sam Mestman, learn to harness the power of your mobile phone by watching "Gimbals, Gear, and GO!" with our President Aubrey Mozino, or perfect your craft  by tuning into "High End iPhone Workflows for the Indie Filmmaker" with Creative Services' Creative Director...

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POV: Waltzing In To Invest In Film - Cate Caplin

The 36 filmmakers poised to make their pitches August 24th-26th can revel in the news that  now three films and filmmakers are in the running to land 25K alongside all the goods We Make Movies has to offer. On the inauguration of our Make Your Feature Competition Semi-Finals, WMM could not be more elated to announce the arrival of a THIRD judge and investor, multiple award-winning producer, director, choreographer, and dancer Cate Caplin. Having  captivated audiences through her talent, dexterity, and grace in productions onscreen and in theatrical venues worldwide, she joins us in our mission to remodel what film financing and creative collaboration look like. 

Cate has produced, directed and choreographed over 200 productions (from the Paris Opera House to the Broadway Stage), she has been the recipient of a Garland Award, a Women in Theatre Red Carpet Award, multiple LA Stage...

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POV: Creative Services' Leading Lady Amy Rose Schumacher

industry marketing Aug 17, 2021

Every actor who comes to Los Angeles believes themselves as having well-rounded expertise in various artforms and the natural ability to shapeshift into any character. There are few who actually possess such versatility, and even fewer who successfully manage to showcase their range. Actor, stuntwoman, and prolific producer Amy Rose Schumacher is one such actor, who in a sea of blondes, humbly punches through the crowd demanding to be seen. Her comedic work has been featured on such prestigious platforms as WHOHAHA, her action reel could command reverence from the most seasoned athlete, and her productions have collectively garnered acceptance and accolades from top niche festivals from around the world. 

Schumacher brings her pragmatic sensibility to We Make Movies as our premier Covid Compliance Officer, and most recently Production Coordinator for the Creative Services division of the company. She applies the same grace under pressure...

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How To Pitch A Feature Film Part II: Pitch Decks & Look Books

As our Make Your Feature Competition submission period is coming to a close, we will be narrowing down our choices for the semi-finals. While the initial submission process only required a treatment of the film, the next round of selections will be based off of a virtual pitch to the community, as well as a few requisite presentation materials. The first is a beat sheet (covered in PART I of this series) along with an artistic primer (a statement describing the intended genre, visual style, similar films, approach to production, and tone of the film), and the second is a version of either a look book or proper pitch deck (both covered below).

What Is A Look Book?

A look book is a compilation of film stills and other visuals that communicate a filmmaker’s vision for their project. Cinematic elements such as composition, lighting, production design, and color help to convey the mood and tone of the film. Similarly, characters and setting can be rooted through casting choices and...

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How To Pitch A Feature Film Part I: The Art of the Beat Sheet

As our Make Your Feature Competition submission period is now closed, we are narrowing down our choices for the semi-finals. While the initial submission process only required a treatment of the film, the next round of selections will be based off of a virtual pitch to the community, as well as a few requisite presentation materials. The first is a beat sheet (covered below) along with an artistic primer (a statement describing the intended genre, visual style, similar films, approach to production, and tone of the film), and the second is a version of either a look book or proper pitch deck (both covered in PART II of this series).

What Is A Beat Sheet?

A beat sheet is a specific tool for storytelling on screen that serves as a road map or skeleton of the story that dives into the pivotal emotional moments that drive the story itself. Whereas an outline describes the scenes, settings, and more concrete details of a film, a beat sheet organizes the intangible thoughts...

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How To Make A Feature Film For 25K

Few feature films have racked up cultural significance or conquered cinematic feats while made on ultra (ultra, ultra... ultra) low budgets. There's the 1977 experimental, horror masterpiece that is "Eraserhead", which was wildly celebrated auteur David Lynch's 10K  budget debut into the realm of feature filmmaking. There are the found-footage horror gems "The Blair Witch Project: (made for 25K) and "Paranormal Activity" (made for 15K), the neo-Western action film that put Robert Rodriguez on the map, "El Mariachi" (made for 7K), and the clever neo-noir "Following" (made for 6K) by a then novice Christopher Nolan. 

Then there are the directors who made their impression on the indie film world with their low-budget contributions, oftentimes shaking up what was considered acceptable and palatable for large audiences. There are a handful of 90's cult classics that delivered filmmakers like Kevin...

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POV: In The Business of Elevating Filmmakers - WMM CEO Sam Mestman

Filmmaker. Workflow Architect. Founder. Entrepreneur. And now, investor. The nomenclature is less important. The bottom line is that Sam Mestman, CEO of We Make Movies, has made it his mission to make an impression on the filmmaking world by bolstering storytellers, instituting an affordable and quality driven process around content creation, and ultimately shattering the myth of the false dichotomy between business and creativity. He has worn many hats throughout his career, but no matter the hat, Mestman is in the business of helping people.
 
His personal journey begins with a colossal heartbreak over his first feature film out of NYU film school, in which the issues had nothing to do with the film itself, but a system that was set up for failure. WMM was born out of this deep frustration, while he continued to work in the industry at large as an editor and colorist. In the process, the first iteration of his former company LumaForge (which has subsequently been...
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Smartphonestudio.tv Is Here: WMM x Apple Deliver Free Tutorials

We Make Movies and Apple have banded together once more to launch the new educational platform SMARTPHONESTUDIO.TV, dedicated to teaching you how to shoot, edit and upload professional content using the camera you already have in your pocket. Content creators and filmmakers anywhere in the world can now access 20 free tutorials on shooting with FilmicPro, capturing second source audio with Apogee's MetaRecorder, and editing with Apple’s Final Cut Pro and LumaFusion (by LumaTouch).

Essentially, this is WMM's gift to an international demand for mobile filmmaking. In sharing this high quality, curated information for free, we are making filmmaking accessible to the masses. The tutorials are designed to be an entry level introduction to the fundamentals of content creation with mobile devices, so anyone can jump in with confidence, a strategy,  and minimal stress. 
 
The site is easy to navigate as the...
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