We Make Movies is putting its money where its mouth is and officially greenlighting three of YOUR feature films in 2022! Our Make Your Feature competition invited anyone with a kernel of an idea or a full screenplay to pitch their project to a panel of investors and the WMM community for the opportunity to land a $25,000 investment, tens of thousands of dollars worth of resources and assistance to ACTUALLY shoot their movie. Submissions opened on May 5 2021. We received 127 submissions, narrowed it down to 36 semi-finalists, then we had 14 filmmakers pitch our judges one last time on October 20th, 2021.
… now, DRUMROLL PLEASE! After an inspiring night of final pitches (watch the winning presentations below) and several weeks of impassioned deliberation, our panel of judges, including investors Sam Mestman, Rob Ness, and Cate Caplin have selected the feature films they will be investing in and advancing to pre-production. The winning filmmakers and films of our inaugural Make...
We Make Movies is the studio system for independent filmmakers. We cater to artists of all levels and serve projects in every stage of the process from inception to final deliverables. Tech giants from NAB (National Association of Broadcasters) to IBC (International Broadcast Conference) have taken notice of our collective team's proficiency and expertise, and this week WMM is a force to be reckoned with at the FCP Global Summit.
The FREE Final Cut Pro event is being held virtually from November 8 - 13, and is suited for content creators of all levels. Explore elevating your producing skills through "Blueprint For A Micro-Budget Future" with our CEO Sam Mestman, learn to harness the power of your mobile phone by watching "Gimbals, Gear, and GO!" with our President Aubrey Mozino, or perfect your craft by tuning into "High End iPhone Workflows for the Indie Filmmaker" with Creative Services' Creative Director...
Every actor who comes to Los Angeles believes themselves as having well-rounded expertise in various artforms and the natural ability to shapeshift into any character. There are few who actually possess such versatility, and even fewer who successfully manage to showcase their range. Actor, stuntwoman, and prolific producer Amy Rose Schumacher is one such actor, who in a sea of blondes, humbly punches through the crowd demanding to be seen. Her comedic work has been featured on such prestigious platforms as WHOHAHA, her action reel could command reverence from the most seasoned athlete, and her productions have collectively garnered acceptance and accolades from top niche festivals from around the world.
Schumacher brings her pragmatic sensibility to We Make Movies as our premier Covid Compliance Officer, and most recently Production Coordinator for the Creative Services division of the company. She applies the same grace under pressure...
Few feature films have racked up cultural significance or conquered cinematic feats while made on ultra (ultra, ultra... ultra) low budgets. There's the 1977 experimental, horror masterpiece that is "Eraserhead", which was wildly celebrated auteur David Lynch's 10K budget debut into the realm of feature filmmaking. There are the found-footage horror gems "The Blair Witch Project: (made for 25K) and "Paranormal Activity" (made for 15K), the neo-Western action film that put Robert Rodriguez on the map, "El Mariachi" (made for 7K), and the clever neo-noir "Following" (made for 6K) by a then novice Christopher Nolan.
Then there are the directors who made their impression on the indie film world with their low-budget contributions, oftentimes shaking up what was considered acceptable and palatable for large audiences. There are a handful of 90's cult classics that delivered filmmakers like Kevin...
Felix Werner's journey through the arts has taken him down many paths, eventually leading him to carve out his own place in the world of all things indie. Hailing from an illustrious showbiz family (his father was celebrated stage and film actor Oskar Werner, his maternal grandmother was Joan Bennet), he naturally demonstrated a proclivity towards the visual arts, but it wasn't until after studying Art History at UCLA and working in the education and film departments at LACMA that he rediscovered his love for film.
Diving into the studio system in various capacities left Werner wanting more autonomy and creative control so he and his wife Katherine Werner, launched Modern Media Company to bridge that gap. Under the umbrella of MMC they have produced content with a wide variety of styles, formats, and budgets, and Werner has helmed the company as an independent media financier, producer of films and original...
In a sea of film competitions that award starter funds, offer packages towards gear, and sometimes even promise gateways of access to the elusive industry at large, We Make Movies is breaking the mold. We are helming a micro-budget feature film competition - THE MAKE YOUR FEATURE COMPETITION - that will see your project through completion by actually making your movie for $25,000.
WMM has joined forces with investors from Silicon Valley, in search of multiple projects from inventive and resourceful filmmakers. Filmmakers will submit their feature film treatments (stellar concept or completed script) and pitch to investors and the WMM community for the opportunity to develop their story, from inception to completion. At least two winning filmmakers will land cash investments of $25,000 each, in addition to tens of thousands of dollars worth of resources in the form of services, equipment, and more. WMM and the investors will partner with winning filmmakers,...
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