“Soon after moving in together, a couple is forced to confront their challenges with intimacy, exacerbated by a toxic yeast infection and deep rooted insecurities, as their relationship slowly devolves.” No matter your cinematic sensibilities, if that logline doesn’t pique your interest in director Sofie Somoroff’s short horror film Love Is A Fire, you may need to check your pulse. With a world premiere at the end of this month at Portland Horror Film Festival, the film will also enjoy a run at our We Make Movies International Film Festival this October.
No stranger to films centered around coming to terms with bodily functions, Somoroff’s directorial menu includes a series of musicals; My First Night In Los Angeles about a girl learning self-love while crashing in her friend’s living room, and My Worst Night In Los Angeles about needing to eliminate (yes, her bowels) while on a Hinge date. To follow with a film about an acidic yeast infection...
Filmmaking (like raising a child) takes a village and the team behind our Make Your Feature Competition winning film Under The Influencer, is birthing their film with exactly that in mind. By creating what they term Intern University, the production team (comprised of all queer women) is supporting their budgetary, workflow, and (wo)manpower requirements while elevating a fresh crop of queer, female filmmakers. By employing 12 film school interns in various positions on their crew after putting them through a training program prior to the shoot, the team has provided an exceptional opportunity for those who may not otherwise be afforded a chance to gain experience which would in turn connect and qualify them for future assignments in Hollywood. “With a diverse cast and crew, our priority is that everyone feels safe and welcome, and by setting and articulating those expectations before filming begins, we hope to see our goals of positive and respectful...
As our Make Your Feature Competition submission period is coming to a close, we will be narrowing down our choices for the semi-finals. While the initial submission process only required a treatment of the film, the next round of selections will be based off of a virtual pitch to the community, as well as a few requisite presentation materials. The first is a beat sheet (covered in PART I of this series) along with an artistic primer (a statement describing the intended genre, visual style, similar films, approach to production, and tone of the film), and the second is a version of either a look book or proper pitch deck (both covered below).
A look book is a compilation of film stills and other visuals that communicate a filmmaker’s vision for their project. Cinematic elements such as composition, lighting, production design, and color help to convey the mood and tone of the film. Similarly, characters and setting can be rooted through casting choices and...
As our Make Your Feature Competition submission period is now closed, we are narrowing down our choices for the semi-finals. While the initial submission process only required a treatment of the film, the next round of selections will be based off of a virtual pitch to the community, as well as a few requisite presentation materials. The first is a beat sheet (covered below) along with an artistic primer (a statement describing the intended genre, visual style, similar films, approach to production, and tone of the film), and the second is a version of either a look book or proper pitch deck (both covered in PART II of this series).
A beat sheet is a specific tool for storytelling on screen that serves as a road map or skeleton of the story that dives into the pivotal emotional moments that drive the story itself. Whereas an outline describes the scenes, settings, and more concrete details of a film, a beat sheet organizes the intangible thoughts...
Few feature films have racked up cultural significance or conquered cinematic feats while made on ultra (ultra, ultra... ultra) low budgets. There's the 1977 experimental, horror masterpiece that is "Eraserhead", which was wildly celebrated auteur David Lynch's 10K budget debut into the realm of feature filmmaking. There are the found-footage horror gems "The Blair Witch Project: (made for 25K) and "Paranormal Activity" (made for 15K), the neo-Western action film that put Robert Rodriguez on the map, "El Mariachi" (made for 7K), and the clever neo-noir "Following" (made for 6K) by a then novice Christopher Nolan.
Then there are the directors who made their impression on the indie film world with their low-budget contributions, oftentimes shaking up what was considered acceptable and palatable for large audiences. There are a handful of 90's cult classics that delivered filmmakers like Kevin...
We Make Movies and Apple have banded together once more to launch the new educational platform SMARTPHONESTUDIO.TV, dedicated to teaching you how to shoot, edit and upload professional content using the camera you already have in your pocket. Content creators and filmmakers anywhere in the world can now access 20 free tutorials on shooting with FilmicPro, capturing second source audio with Apogee's MetaRecorder, and editing with Apple’s Final Cut Pro and LumaFusion (by LumaTouch).
You have a story to tell, but before you embark on the process of writing the script, consider writing a treatment. A film treatment is a sexy outline of your story, a roadmap, a detailed synopsis of your film or visual project (music videos, commercials, etc.). It contains all the essential elements of your film, such as the core concept behind your story, significant scenes, main character arcs, and crucial plot points. It's purpose is to sell your story to a potential producer or investor but it's a valuable tool as part of the development process as well. It helps you explore the world in which your story lives, aids in nailing down the tone and genre of your project, and allows you to work out other kinks in plot points.
A treatment is the written pitch that can convince the reader, or in the case of our MAKE YOUR FEATURE COMPETITION, our investors (multiple) and producers (that's us - WMM) to want to read the full script. The basics...
Most people realize that the magical devices in our pockets can be harnessed to capture stunning photography and video content, but there is a world beyond the capabilities of our phones. There are apps for almost anything you want to do these days, but We Make Movies did the research and removed the hassle of weeding through all the clutter, by selecting a few high quality apps to accompany your phone in creating cinematic content on a budget.
Our Smartphone Studio program tours the nation and has also been virtually accessible for the past year, teaching content creators of all ages and walks of life how to make the highest quality films and tell the stories they want to tell. But... did you know we also have a slew of free tutorials that also walk you through the process of filming? We recently covered the use of FilmicPro to achieve professional grade cinematography. Today, we share the tips and tricks behind using ...
Contemporary abstract artist, musician, filmmaker, and educator Bijan Machen is an instrumental player in bringing the eARTh Project to life. As Chief Creative Officer of the We Uplift The World organization, Machen co-created an educational workshop series that taught local youth the importance of cultivating community gardens, cooking healthy food, creating art, and understanding basic economics and business practices. WMM teamed up with the entrepreneur and artivist, by harnessing the power of mobile filmmaking technology and teaching Machen's students how to further apply a more sustainable approach to both filmmaking and life.
A former linebacker for Georgia Tech (where he graduated with a Bachelor of Science in Science, Technology & Culture) and an MFA graduate of Art Center College of Design, Machen works to challenge limiting beliefs and oppressive societal constructs, while supporting...
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